dreaming under a starlit sky

soultek

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After 5 years under exclusive licensing agreement, this highly sought after debut album by Soultek is finally available in re-mastererd digital format with two unreleased (digital exclusive) remixes from the vault. This marks the debut double CD album from the Soultek guise (circa 1993-2003) of Echospace's Stephen Hitchell which was originally

After 5 years under exclusive licensing agreement, this highly sought after debut album by Soultek is finally available in re-mastererd digital format with two unreleased (digital exclusive) remixes from the vault. This marks the debut double CD album from the Soultek guise (circa 1993-2003) of Echospace's Stephen Hitchell which was originally released as a Japan exclusive. The album features remastered content originally available on UK techno pioneer and Fat Cat Records founder, Lee Purkis's (In Sync) label, Fortune8. On Disk 2, there are rarities from the archives originally licensed to forcetracks / Force Inc, however, due to the insolvency of their distributor (EFA), these recordings never saw the light of day and were never made available, until now. After nearly 20 years of sitting on tape, the material has aged like a fine wine; quite a pleasure to bring these recordings back to life... From our hearts to yours!

Past Highlights + Comments:

Mentions and reviews in The Wire, De-Bug, Groove, GO!, XLR8R, URB and many others..

What is it that makes a great track? Mood? Arrangement? Beats? The message? This has it all. The intro evolves from a combination of pads, vocals, and a deep electronic bass. A landscape of dark house with a touch of dub spreads it out. The vocals add a glimmer of hope to this landscape and the experience is absolutely beautiful! -XLR8R

Steve Hitchell returns with this second twelve for Fortune8 in almost as many weeks, and his love of Detroit techno is on full display on the shimmering title track, a kind of vintage Motor City session in 4/4 that brings to mind classic Carl Craig or even Stasis if you want to look for reference closer to this side of the pond. "Elektrikcity" on the flip has a more Chicago House vibe to it, though Hitchell's signature pads make a swift appearance and disperse their upbeat introspection through to every last pore. "Forever Feeling" closes the set with another Detroit standard, the synth progressions taking up the dual role of melody and bassline - the kind of musical conceit we just adore! -Boomkat

Okay, so here we have the first in a batch of all new twelve inch releases from the Echospace camp. Having listened to all previous works by Stephen Hitchell aka Soultek, I gotta say this one came as a total surprise. This isn’t the kind of ‘techy’ house sound we’ve heard prior, the tracks here head in a totally new direction for this producer and we feel are far more creative, taking us to where Hitchell is really coming from with his sound – tracks that are moody, introspective, tentative, while encapsulating the true funk and soul of Detroit techno that we all love. If there is more material from Steve in the vein of this release, then we simply can’t wait for the next twelve inch. -Interstellar Sounds

He offers a pounding project of tech-ed out dub. Applying Chicago fundamentals to warm, dubby synths & basslines of some of the most contagious hooks you'll ever hear. -Clone

Perfekte Maxi durch und durch! Soultek, der sonst, wenn er nicht mit Modell an Echospace arbeitet, eher von der zackigen, sehr stark sequenzierten Truppe ist, überrascht auf seiner neuen E.P. mit durch die Bank weichen und fast schon ungewöhnlichen Tracks. Viel Wärme, klar, aber auch viele akustische Samples und Downtempo-Passagen, die vielleicht am ehesten mit den B-Seiten von alten Drum-and-Bass-Maxis zu vergleichen sind, wo die Helden der Finsternis plötzlich handzahm wurden. “Lighter Path” auf der B-Seite ist dann typischer Detroit-Afterhour-Sound. Wenn es den überhaupt gibt. Die Roland-Box tuckert und alles glitzert. Einfach alles. -DeBug, DE

More goodness from Steve Hitchell, one half of Deepchord's Echospace project, the man behind the excellent Echospace imprint, and noted producer in his own right under the Soultek moniker. "Clouds Overhead" offers deeply melodic material from Hitchell, finding a more sugar-coated equilibrium between the dense constructions of echospace and more open, welcoming melodic structures that hark back to classic electronic music of the mid to late 1990's. Hitchell has a beautifully intuitive grasp of song construction - he makes the kind of instrumental music that tugs at the heartstrings without ever resorting to sappy ingredients, instead delivering weighty dancefloor material that just happens to revolve around beautiful, melodic interiors. lovely stuff. -Boomkat

While Soultek's debut EP for Fortune8 dips into the lighter realms of jazz/funk, this immediate follow-up is direct in its purist techno approach. The techy, micro-house sounds of earlier Soultek are gone and here, once again, we hear Steve Hitchell as we have never heard him before. No fuss, no gimmicks, as quite simply, this is good, solid, honest techno with of course its roots firmly in the Motor City. Definitely Steve's best release to date. -Interstellar Sounds

Ein herrlich epischer Track, diese A-Seite auf der neuen Maxi von Steve Hitchell. Weiche Chords und kleine japanische Percussion-Grillen machen hier das klassische Liebeslied zum Floor-Killer, wenn die Sonne schon wieder am Himmel steht. Und es geht auch Afterhour-mäßig weiter. “Electrikcity” ist langsam wabernde Detroiter Luft, statisch und doch immer im Bewegung mit dem digitalen Atem der endlosen Duracell-Hasen. “Forever Feeling” läutet dann schon wieder den nächsten Peak am Abend ein. -DeBug, DE

Excellent Stephen Hitchel release. Dreamy broken techno (think early UK techno/electronica), a deep & straight-forward technotrack, and a jazzy downtempo workout. -Clone

Written and produced by Stephen Hitchell from 1993-2013, additional mastering and engineering by Ron Murphy @ NSC, Detroit. (R.I.P.), Mark Richardson @ Prairie Cat, Alex Gross @ Studio 11 & Nils (R.I.P.) @ The Exchange, London, England. Additional mixing and engineering by Thomas Peter Heckmann in Mainz, Germany. Remastered in echospace by S.H.

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starlight [remixes]

model 500

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This is the remastered original "Starlight" from the Godfather of Techno, Juan Atkins aka Model 500, originally released on 12" by Metroplex in 1995. Includes 9 new remixes specially commissioned by Echospace. This classic masterpiece was originally engineered by Basic Channel's Moritz von Oswald and recorded at the Basic Channel studio in Berlin

This is the remastered original "Starlight" from the Godfather of Techno, Juan Atkins aka Model 500, originally released on 12" by Metroplex in 1995. Includes 9 new remixes specially commissioned by Echospace. This classic masterpiece was originally engineered by Basic Channel's Moritz von Oswald and recorded at the Basic Channel studio in Berlin sometime in 1993-1994. Upon release, this track quickly became a cult favorite from Derrick May to Derrick Carter, and infected house, techno, ambient and even dub DJs alike. A song so powerful, it led to a change in techno music forever and was a shining example of what Detroit was all about: innovation. Juan Atkins was the first person to apply the word "techno" to music. He found new ways of making sound, and in so doing, he influenced nearly every genre of music in the 1980s and beyond. Yet his name is not well- known beyond the world of electronic dance music. He might, in fact, be one of the most obscure of modern music's true pioneers. This CD has been mixed together seamlessly for an uninterrupted listening excursion through the many shapes and forms of this song's incarnations. First, we offer the remastered original from Ron "Motown" Murphy, who spent countless hours restoring this treasure from 1/4" tapes. Then we find ourselves captivated in the pure, refined deepness of Deepchord's towering menace of space and bass. Echospace manage to give Juan's original just enough percussion flare, with wave frequencies rushing through a field of delay which spin around your head. This leads into a widescreen electro rendition from Soultek, and Convextion serves up some Kompakt-ish schaffel grooves, but with a hypnotic Detroit effect. Mike Huckaby makes good use of the Waldorf Wave before we enter ambient territory from Echospace who combine daring production techniques with vibrant forms of texture and color. Sean Deason presents a stomping killer with devastatingly beautiful synthesized notes and a sweet 909, and Phase90 presents breathtaking pads and a slow motion effect so powerful, it could only be compared to the works of Thomas Köner or Wolfgang Voigt's Gas project -- this is love in lo-fi. Finally, Intrusion takes it out with a dubbed-out, dreamy ambient voyage.

written + produced by juan atkins, engineered by moritz von oswald @ love park studio, berlin. published by deep space music, bmi. licensed from metroplex, detroit. remix and additional production by gerard hanson [convextion], stephen hitchell [echospace, intrusion, phase90 + soultek], mike huckaby, rod modell [deepchord,echospace] and sean deason. mastered in echospace.

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who's afraid of detroit? [deepchord + soultek mixes]

claude vonstroke

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First time available in digital formats. Although quite the tantalising proposition on paper, we really weren't prepared for this immense Deepchord reworking of last year's biggest Techno anthem : Claude Vonstroke's "Who's Afraid Of Detroit?". And it truly is a shocking production - all that remains of the original is the odd flurry of distant

First time available in digital formats. Although quite the tantalising proposition on paper, we really weren't prepared for this immense Deepchord reworking of last year's biggest Techno anthem : Claude Vonstroke's "Who's Afraid Of Detroit?". And it truly is a shocking production - all that remains of the original is the odd flurry of distant melodies and an underlying shuffle - everything else has been replaced by one of Rod Modell's most propulsive, robust techno reductions to date, and one of his most dancefloor-bound at that. What's so genius about Modell's work here is the relentless layering of low-end registers - it's not just the bassline that's packed out with his unique low modulations, the propulsive core at the very heart of the track is itself somehow constructed out of pure BASS, with just a solitary snare providing the track with the necessary balance. Truly, mindblowing stuff. Modell's partner in the Echospace project Steve Hitchell offers up the remix on the flipside under his Soultek moniker, an altogether more electroid affair that's punctuated by the original's skittering arpeggios and the sound of a 1980's drum machine starting to malfunction, in the best possible sense. Totally killer twelve - limited coloured vinyl! -BOOMKAT

w + p by barclay crenshaw, remixed by rod modell + stephen hitchell for echospace [detroit] 2008. mastered by soultek, vinyl cut and remastered by mark richardson @ prairie cat mastering, chicago, usa.

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reflective [1993-2000]

soultek

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Unreleased and re-mastered versions of early Soultek, most of which is unavailable in any format The irrepressibly productive Stephen Hitchell coaxes more ghostly imprints from Chicago and Detroit classics on this collection of early works dating from 1993 to 2000. 'Reflective' includes five previously unreleased songs along with two tracks taken

Unreleased and re-mastered versions of early Soultek, most of which is unavailable in any format The irrepressibly productive Stephen Hitchell coaxes more ghostly imprints from Chicago and Detroit classics on this collection of early works dating from 1993 to 2000. 'Reflective' includes five previously unreleased songs along with two tracks taken from analog tape recordings of live performances at an after party for the first ever Detroit Music Festival, lending a authentically spectral resonance to the proceedings. There's an energy about tracks like 'Groove Control' and 'Spaceman' that you won't find in more recent echospace releases, from the moe up-tempo nature of the tracks, to the preference for spacey Convextion alike synths and raw pumping Dance Mania styles on 'Soul Twist'. Its an enlightening, introspective and varied look at an essential cog in the post-Basic Channel world of Detroit and dub techno, connecting the cities of Berlin and Detroit like few others. Highly Recommended! -Boomkat

written + produced by stephen hitchell. mastered in echospace.

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